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After 85 days in custody, he came out on bail.Įight months later, on June 25, at AMMA’s first annual general body meeting after Dileep’s arrest, it revoked his suspension and welcomed him back with open arms.
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Dileep was arrested and, under immense pressure from the public and a handful of female actors, the Association of Malayalam Movie Artists (AMMA) suspended him. Dileep - all powerful in the industry as superstar actor, theatre owner and distributor - was accused of paying a gang to commit the act and make a video of it. That misogyny became starkly real on the evening of February 17, 2017, when a leading female actor was allegedly abducted and sexually assaulted while she was travelling in a car near Kochi. Gratuitous sexism is one way in which the now ageing superstars assert their masculinity.
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Assault and aggression are code words for male love. Over the years, a film idiom has been constructed where rape is trivialised, marginalised and negated. This is the other side of Malayalam cinema, which is considered the bastion of progressive movies and new narratives. We saw - and were shown - only the brother’s torment. That rape didn’t even register with most of us viewers. The girl is not even given a line to articulate what she feels. He affectionately tells Seetha to marry the old professor, “whether she likes it or not” and “to protect her sisters from the stigma of her dishonour”. He then goes to Mammootty, all contrite, and says: “I would have stopped (assaulting her) if she had protested or even let out a cry.” The enraged brother is stumped. “Hitler” was played by superstar Mammootty - Malayalis can be particularly thick about such problematic associations.Ī professor rapes the eldest sister Seethalakshmi. The big movie was Hitler - no, it is not about the Nazi leader but about a big brother who is overprotective, to the point of being dictatorial, of his sisters.
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The misogyny of the line, we must have thought, was only the rough words of a lovable rogue. On monsoon nights, to huddle under a blanket, I need a woman.” The girl squeals in delight. Towards the end of the film, he proposes to the heroine, played by Aishwarya, to the auspicious sound of percussion: “When I reach home, sloshed, at midnight, I need to land a kick on a woman. A Mohanlal film was the blockbuster of the year: Narasimham.